Panasonic LUMIX DMC FZ60 Recensie | 108 Gegevens vergelijking

However, the camera comes with notable tradeoffs to remain affordable compared to its premium sibling, the FZ200. Cons include the lack of RAW image support, meaning users are restricted entirely to in-camera JPEGs. Performance bottlenecks are highly apparent in its continuous burst shooting mode, which is severely limited by stalling after firing just three full-resolution frames. Furthermore, the physical hardware feels somewhat dated due to a low-resolution, non-articulating 3-inch fixed LCD screen, a pixellated 0.2-inch electronic viewfinder that lacks an automatic eye sensor, and a lens aperture that slows down to f5.6 at the maximum 600mm telephoto end.

The Panasonic Lumix DMC-FZ60 is a scaled-back companion model to the flagship FZ200 superzoom camera, offering a chunky right-hand grip, full manual exposure controls, and a 24x optical zoom (25-600mm equivalent). Its performance metrics are solid, highlighted by a very fast autofocus system and a quick 1.3-second start-up time. Additional strong suits include pleasant colour rendition in standard shots, a lengthy battery life rated for 450 shots, and surprisingly clear, high-quality audio captured from its built-in stereo microphone. However, the FZ60 comes with notable limitations that may deter photography purists. It forces users into JPEG-only shooting with no RAW support, which prevents recovering lost highlight detail caused by the camera's tendency to overexpose bright scenes. Image quality also degrades significantly at ISO 1600 and 3200, resulting in messy, smeared details. From a usability standpoint, the electronic viewfinder lacks an automatic sensor, requiring a manual button press to switch between the EVF and the rear screen. Furthermore, continuous burst shooting stops to process after just three frames at higher speeds, and video capture is restricted to interlaced 1080i with visible artefacts....

The Panasonic Lumix FZ60 is a versatile bridge camera styled like a DSLR, built around a 16.1-megapixel CMOS sensor and an impressive 24x Leica-designed optical zoom lens equivalent to 25-600mm. It is highly regarded as a single-camera travel companion due to its relative compactness and its ability to capture distant vacation subjects with ease. On the positive side, the camera delivers excellent image quality, boasts stellar performance as a video recorder with full HD 1920x1080 capabilities, and provides advanced shooters with robust manual controls, including the capability to shoot in RAW format. However, the FZ60 has some distinct drawbacks that prevent it from matching true DSLR image performance. While its 24x zoom range is more practical for steady handholding than larger 50x lenses, it suffers from a smaller f/5.2 aperture at the telephoto end, which limits low-light capability compared to sibling models with brighter, constant apertures. Additionally, noise artifacts become problematic at higher ISO settings, making shooting at ISO 3200 a difficult task. Finally, the camera lacks a vari-angle articulating screen, which is noted as a key feature omission that...

The Sydney Morning Herald reviews the 16-megapixel Panasonic Lumix DMC-FZ60, a "bridge" camera featuring a 25mm-600mm, f/2.8-f/5.2 stabilized lens and a rigid, accessible body design. It highlights strong video performance with Active Mode stabilization and versatile AVCHD/MP4 recording options, offering comprehensive manual controls for photography. SMH.com.au Pros include excellent video stabilization, good overall picture quality, and effective manual controls, while cons focus on resolution fall-off at full telephoto and a low-quality electronic viewfinder. Despite some limitations, the camera is positioned as a highly functional, capable option for users needing significant zoom.

The Panasonic Lumix FZ62/FZ60, as detailed by ⁠ePHOTOzine, is a 16.1MP bridge camera featuring a 24x Leica-branded optical zoom lens (25-600mm) and effective Power O.I.S. for reduced shake. Key performance highlights include a 1cm macro mode and rapid 10 fps full-resolution continuous shooting. However, the camera is designed for casual use, featuring a fixed 3-inch 460k-dot rear screen and a low-resolution 202k-dot electronic viewfinder. Furthermore, it lacks RAW shooting capability and built-in GPS, distinguishing it from higher-end travel options.