Ultrasone HFI 580 Recensie | 93 Gegevens vergelijking

In their 4.0 Excellent review, PCMag UK details the performance of the $199 Ultrasone HFI-580, a pair of 10-ounce, over-ear circumaural headphones. The review highly praises their brilliant, even-response audio signature, noting a flat frequency curve with a smooth low-end boost below 75 Hz that articulates deep bass exceptionally well without muddying the mix. This allows genres with deep bass—such as The Knife's "Silent Shout"—to sound booming and entirely distortion-free. Additionally, a slight boost around 10 kHz injects clarity and brightness into vocals and strings without causing harshness. Structurally, they are solidly constructed and provide a very comfortable seal around the ears, making them a fantastic, reasonably priced choice for at-home listening. However, the headphones do come with distinct drawbacks, most notably their failed promise of "S Logic Natural Surround Sound Plus." The reviewer emphasizes that the heavily marketed surround-sound feature sounds exactly like standard stereo, with no audible reverb, EQ effects, or actual spatial "surround" depth detected during testing. From a design standpoint, they are decidedly old-school, large, and bulky with a thick cable. This heavy and chunky aesthetic...

This Head-Fi review compares four closed-back headphones, highlighting the Sony MDR-XB700 and Audio-Technica ATH-A700 as superior in sub-bass performance, with the Sony offering a spacious soundstage and the ATH-A700 providing unexpected low-end impact. However, the ATH-A700 suffers from a disliked overall presentation, and the XB700 can lose sound quality when pushed. The Beyerdynamic DT770 (32 Ohm) is praised for having the best soundstage and driver separation but lacks heavy sub-bass without high-gain amplification. The Ultrasone HFI-580 is noted for having a compressed, artificial soundstage and low-end deficiencies, along with a high clamping force. Head-Fi.org

The Ultrasone HFI-580 is lauded for its tightly controlled bass, robust build quality, and ability to deliver engaging sound without amplification, making it a strong competitor in the portable headphone market. Key advantages include a functional folding design and a sound profile that avoids becoming overly muddy in the lower frequencies. Conversely, user feedback highlights significant comfort issues, specifically regarding high clamping force and earcups that become hot during extended use. Other disadvantages include a potentially harsh, tinny treble in certain tracks and a cumbersome, overly long cable for portable, everyday use.

The PCMag review of the Ultrasone HFI-580 highlights a closed-back, circumaural pair of headphones that balances an old-school design with impressive technical audio execution. A major pro identified in PC Labs testing is its remarkably flat and accurate frequency response, which holds its own against higher-end audio gear and legendary open-back models like the Grado GS1000. Sonically, the headphones feature a full, ample low-end with a subtle boost around 50 Hz for added sub-woofer-like depth, alongside a notable 10 kHz spike that provides extra brightness and shimmer to vocals and strings. Additionally, the padded earcups deliver an exceptionally comfortable fit and a tight acoustic seal around the ears. Despite these strengths, the review notes several notable cons regarding their physical build, target use case, and proprietary tech. While marketed with "S Logic Natural Surround Sound Plus" technology, the reviewer pointed out that the headphones simply sound like standard, crisp stereo and fail to deliver any actual "surround" immersion or noticeable reverb effects. From a design standpoint, the HFI-580 is described as big, chunky, and restricted by a very thick cable....

This Head-Fi review compares three entry-level closed-back headphones, highlighting the Audio-Technica ATH-M50 as the most balanced, versatile option with smooth mids, comfortable padding, and a versatile sound, despite having slightly boomy, less controlled bass and a more enclosed soundstage. The Ultrasone HFI-580 offers intense detail, rapid bass, and an expansive 3D soundstage via S-Logic but is characterized by an aggressive V-shaped signature, piercing highs, and high clamping force. Finally, the Audio-Technica PRO700 MK2 serves as a durable DJ headphone, delivering immense, hard-hitting sub-bass at the cost of heavily colored, bloated mid-bass and significant comfort issues.

The Ultrasone HFI-580 headphones deliver a solid, lab-tested audio performance characterized by a relatively flat frequency response with a distinct 10 kHz spike that introduces added brightness to the mix. In benchmark comparisons against industry standards, they hold their own by offering a slight, pleasant boost around 50 Hz for extra sub-woofer-like low-end presence, making them highly versatile for all types of music and genres relying on deeper bass. While they lack the massive low-end response found in premium models like the Ultimate Ears UE11, and cannot match the ultra-smooth bass delivery of the legendary Grado GS1000, they maintain a highly competitive and balanced sound signature. A key benefit of this pair is its sturdy build quality, making it fine for heavy everyday use. However, a significant drawback noted in the PCMag evaluation is their large and bulky design, which may affect long-term comfort and portability. Additionally, testing revealed a variance in the frequency responses between the left and right drivers; while this structural discrepancy in gain is quite common for headphones sitting outside the ear canal, it prevents a...

The Ultrasone HFI 580 is reviewed as a polarizing, budget-friendly closed-back option priced around one hundred dollars. On the positive side (pros), the headphone delivers powerful, tight, and emotionless bass that is cleaner and has better overall spectrum clarity than competitors like the Beats Solo. It provides an aggressive, energetic alternative for listeners seeking a different sound profile than the Audio-Technica ATH-M50. Additionally, community members note that despite its sonic flaws, its objective frequency response and technical measurements actually look better and cleaner than significantly more expensive models in Ultrasone's lineup, including the Edition 8 and the PRO 900. However, the headphones suffer from severe tonal imbalances (cons) that make long-term listening difficult, often inducing headaches after just 10 minutes. The overall sound signature is characterized by an upward-sloping frequency response toward the treble and a notable acoustic dip between 50Hz and 300Hz. This dip thins out the lower midrange, causing vocalists to sound as though they are singing underwater. Furthermore, a harsh 5.5kHz razor ringing paired with over-emphasized upper mids between 2kHz and 5kHz creates a metallic, tinny, and...

The Ultrasone HFI-580 is a chunky, comfortable pair of closed-backed headphones that utilizes patented S-Logic technology to simulate the spacious soundstage of an open-backed design. Tested at £125.00, these headphones are best suited for serious, seated home listening rather than portable use. Sonically, they deliver a highly capable performance characterized by an incredibly open, clean, and clear presentation, an airy and precise approach to rhythms, and a powerful, punchy bass response that reduces harsh stereo separation. The review explicitly highlights a solid construction, a comfortable fit, and an overall entertaining sound as the primary product pros. Despite these strengths, the headphones fall short of being class-leading because they rely on a bit of sonic sleight of hand. When compared directly to high-quality rivals like the Grado SR80i, the Ultrasones compromise on the richness, naturalness, and detail of voices and midrange instruments. The main con identified in the review is this distinct lack of midrange realism and detail. Nevertheless, the reviewer concludes that while they do not achieve the ultimate fidelity of their top competitors, their energetic performance and robust build...

The Ultrasone HFI-580 are closed-back headphones delivering an energetic, high-quality audio experience with tight, detailed, and punchy bass, making them suitable for electronic music and DJs. Utilizing S-Logic technology, these foldable, portable headphones offer a wider soundstage than most closed-back alternatives. However, the headphones suffer from poor long-term comfort, featuring high clamping force, heavy weight, and excessive heat buildup. Furthermore, the midrange and treble are recessed, which can lead to harsh, tinny sound, paired with an overly long, non-detachable cable.

However, the review introduces several specific cons regarding their frequency performance and physical design. Phillips mentions that the mid-range and high-end frequencies lack clear definition, causing the sonic transition from the headphones to studio monitors to be unexpected and less seamless than desired. Structurally, the headphones are described as heavier and bulkier than standard models. This physical bulk makes them poorly suited for situations where a musician needs to slip one ear cup off to monitor live room sound alongside the audio feed. Ultimately, the review concludes that while they are not flawless for mixing, their punchy bottom-end makes them an excellent tool for drummers, bassists, and guitarists working in loud recording environments.

The Ultrasone HFI-580 headphones provide an affordable entry point into the brand's product lineup, offering closed-type, high-isolation audio performance for roughly $200. The review heavily praises the headphones' primary asset: an incredibly expansive, virtual surround soundstage driven by Ultrasone's S-Logic technology. This design successfully moves the perception of audio entirely outside of the listener's head, creating a massive sound presence that excels when watching movies or playing video games. Additional pros include excellent, warm low-end bass reproduction that resists distortion even at high volumes, a convenient fold-up design for easier storage, and lowered direct pressure on the eardrums for safer listening.