Sony FE 16 35mm F 2 8 GM II Recensie | 54 Gegevens vergelijking

The Sony FE 16-35mm F2.8 GM II is a premium, lightweight, and versatile ultra-wide zoom offering exceptional edge-to-edge sharpness that rivals prime lenses across the entire focal range. Key advantages include significantly reduced size/weight over its predecessor, rapid autofocus via four XD Linear Motors, improved close-up capabilities, and specialized features for video, such as an aperture de-click switch. Key limitations include a high price point aimed at professional users, a lack of on-lens Optical Image Stabilization (relying on IBIS), and inherent, though correctable, vignetting and distortion at 16mm. While delivering superb image quality, the lens necessitates careful handling of close-up perspective distortion to avoid unflattering results.

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The Sony FE 16-35mm F2.8 GM II represents a highly successful second-generation redesign that upgrades the original 2017 model with a smaller, lighter, and more feature-rich body. Weighing just 547g (a 20% reduction) and measuring 10mm shorter, this premium lens boasts robust weather sealing, a fluorine coating, and dual focus hold buttons. Catering to hybrid photo and video creators, Sony added a dedicated aperture ring with a click/declick option and an iris lock switch. Autofocus is exceptionally quiet and instantaneous across tested bodies due to its quad XD linear motors, and the minimum focusing distance is improved to 22.1cm, granting an impressive 0.32x maximum magnification. Optically, the lens delivers pristine, edge-to-edge sharpness and high contrast starting right at F2.8, even outperforming or matching top-tier wide-angle primes. Chromatic aberrations, coma, and flare are all excellently controlled, and it produces surprisingly creamy bokeh for a wide zoom. However, the reviewer notes a few drawbacks: the lens lacks built-in optical stabilization (relying fully on camera IBIS) and exhibits a significant, complex mustache-style barrel distortion at 16mm that requires digital profile correction to fix...

The Sony FE 16-35mm f/2.8 GM II offers professional-grade build quality and substantial design improvements over its predecessor, reducing weight by 20% while shrinking its physical footprint. Optically, the lens delivers superb, prime-lens-level sharpness from the center to the outer edges at 16mm and throughout the middle focal ranges, even wide open at f/2.8. It features efficient anti-flare coatings, highly controlled lateral chromatic aberrations, and relatively mild raw barrel distortions (1.6% at 16mm). Mechanics are a highlight, boasting a dust- and moisture-resistant construction, an impressive 1:3.1 close-focus magnification, a de-clickable aperture ring, and four XD linear motors that double the autofocus speed compared to the original model. Video shooters will also appreciate the minimized focus breathing. Despite these strengths, the review highlights several flaws, most notably a distinct drop in optical sharpness at the 35mm focal length, which requires stopping down to f/4 or f/5.6 to achieve optimal image quality. Sample variation and mediocre centering quality were also noted in testing. Physically, the lens lacks built-in optical image stabilization and fails to utilize an internal zoom mechanism, meaning it still...

However, the lens is not without its limitations, most notably its steep retail price of $2,299.99, which positions it as a major investment suited primarily for dedicated wedding, landscape, and event professionals. Reviewers highlighted that sunstar renditions are somewhat unimpressive, as the starburst lines tend to splinter into multiple messy arms unless the light source is partially blocked by elements like tree branches. Additionally, the lens exhibits noticeable barrel distortion at wider settings, pincushion distortion at longer focal lengths, and darkened corners at f/2.8 when relying entirely on uncorrected Raw files without digital profile interventions. For creators who do not strictly need the f/2.8 optics, more affordable alternatives like the Sony FE PZ 16-35mm F4 G or the Sigma 16-28mm F2.8 Contemporary offer significantly better value for the money. If you'd like, let me know: What camera body you plan to pair with this lens? What specific type of photography or videography you shoot most?

The ePHOTOzine review of the Sony FE 16-35mm f/2.8 GM II lens highlights it as a top-tier performer, boasting outstanding sharpness across most focal lengths and aperture settings. Key pros include a lighter, more compact design compared to its predecessor, robust weather sealing, fast XD linear motor autofocus, and a, controllable, clickable aperture ring. Conversely, the review identifies the high price point as a significant con, alongside noticeable resolution drop-off due to diffraction at f/22. While distortion control and flare resistance are excellent, the lens faces stiff competition from cheaper third-party alternatives.

The Sony 16-35mm f/2.8 G Master II completes Sony's updated "holy trinity" of professional zoom lenses by delivering a significantly lighter, compact, and optically superior build compared to its predecessor. Weighing just 19.3 ounces (547 grams), this rugged, weather-sealed wide-angle lens is remarkably easy to carry in a camera bag. Its standout strength is its class-leading sharpness; it produces exceptional detail, contrast, and consistency right into the corners of the frame, even when shooting wide open at f/2.8. Additionally, it features a welcome new dedicated aperture control ring, a robust multi-coating that preserves strong contrast against bright light, and an impressive close-up versatility with a 1:3 macro reproduction ratio. Despite its high-grade performance, the lens exhibits clear drawbacks under specific lighting conditions, most notably severe ghosting and distracting purple blobs when shooting directly into bright light sources—even at moderate apertures like f/8. The manual focus ring also retains a somewhat sloppy handling feel carried over from the original version. Furthermore, while the bokeh transitions smoothly, out-of-focus backgrounds can look a bit harsh and overly energetic when highly detailed or filled...

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The PCMag review highlights the Sony FE 16-35mm F2.8 GM II as a top-tier, ultra-wide zoom lens featuring exceptional corner-to-corner sharpness, significantly reduced focus breathing, and a consistent center of gravity suitable for gimbals. It boasts robust physical controls, including a de-clickable aperture ring, fast XD linear motors, and weather-sealed construction. Conversely, the lens lacks built-in optical image stabilization, requiring reliance on camera-body IBIS, and maintains a high price point despite being lighter than its predecessor. Additionally, the zoom mechanism causes the barrel to telescope slightly at 16mm.

The Sony FE 16-35mm F2.8 GM II is a premium, wide-angle zoom lens designed for full-frame Sony E-mount cameras, completing Sony's second-generation "trinity" of professional-grade zooms. Built specifically to target landscape, architectural, and interior photography, it boasts a sophisticated optical design featuring 15 elements in 11 groups—including multiple extreme aspherical and extra-low dispersion elements—alongside an 11-blade aperture diaphragm. Operability is highly precise, incorporating four XD linear motors for instantaneous and silent autofocus, minimal focus breathing, and a dust- and moisture-resistant body. It is physically 1cm shorter and 133g lighter than its 2017 predecessor, weighing just 547g, while gaining a physical aperture ring with a clickless switch option. The primary pros of this lens include its exceptional optical quality across all focal lengths, exceptionally fast and silent focusing, superb weather-sealed build, and a relatively compact, lightweight footprint. Image quality yields excellent sharpness, minimal distortion, and clean handling of chromatic aberrations under automatic correction, with the added benefit of pleasant background blur at 35mm. On the downside, the chief con is its steep launch price of $2300 / £2400, making it noticeably...

A Versatile and Lightweight Redesign The Sony 16-35mm f/2.8 GM II represents a major leap forward over its predecessor, shedding approximately 130 grams to weigh in at a highly portable 547 grams. Designed with a standardized 82mm filter thread that matches the rest of Sony’s Mark II trinity lenses, it allows photographers to use a single filter system seamlessly across their primary gear lineup. Performance in the field is defined by exceptional corner-to-corner sharpness across all apertures, four XD linear focus motors that deliver near-silent, lightning-fast autofocusing, and clean, pin-point sharp star rendition for astrophotography. Its standout macro-style improvements include a significantly reduced minimum focus distance of just 22 cm and a 0.32x magnification ratio, which yields incredibly smooth background bokeh and unlocks creative close-up capabilities. Furthermore, it features an added physical aperture ring with a clickless toggle switch to benefit videographers. Macro Strengths and Wide-Angle Limitations A major functional advantage for landscape and video shooters is the lens's near-total elimination of focus breathing. Combined with its ultra-close focusing distance, this allows photographers to execute precise foreground focus stacking without...

The Moment review of the Sony 16-35mm F/2.8 GM II highlights it as a highly versatile and essential upgrade for hybrid photographers and filmmakers, completing Sony’s updated Mark II "Trinity" of zoom lenses. Evaluated by reviewer Mia Moran, the lens is praised for its drastic design reductions, measuring 10% smaller and 20% lighter than its predecessor. Key pros outlined in the review include spectacular corner-to-corner resolution, highly controlled chromatic aberration, and a minimized minimum focusing distance of 0.22 meters across the entire zoom range. For videographers, the lens brings massive upgrades by significantly reducing focus breathing, eliminating focus shift during zooming, and boasting an unshifting center of gravity that prevents the need for constant gimbal rebalancing. It also supports high-speed performance features like blackout-free 30FPS bursts and advanced dust and moisture resistance. Conversely, the review notes a couple of distinct cons, most notably its premium price point of $2,499. This high cost makes it a serious investment, particularly when much cheaper alternatives are widely available on the market from third-party manufacturers like Sigma. While the lens features enhanced Active Mode...

The Sony 16-35mm f/2.8 GM II introduces several practical physical and optical upgrades over its predecessor, making it the preferred choice for buyers purchasing a brand-new lens. In terms of pros, the GM II is notably smaller by almost half an inch, weighs 0.3 lbs less, and adds an dedicated iris ring alongside a second assignable button. Optically, the version 2 lens delivers excellent distortion correction, shows virtually no vignetting when shooting wide open at 16mm, and boasts a much closer minimum focusing distance of 8.7 inches compared to the original's 11 inches. Furthermore, its four XD linear autofocus motors offer superior tracking stability over the GM I's dual direct-drive motors in extreme low-light environments. However, the upgrade comes with distinct cons, most notably a steep retail price of $2,300 compared to the used market value of the GM I, which can easily be found for $1,000 to $1,300. Despite marketing claims highlighting enhancements, the review notes that improvements to bokeh are very minimal and only visible under extreme magnification. Additionally, flare suppression is essentially identical between both versions, and...