Nikon AF-S NIKKOR 58mm F 1 4G Recensie | 54 Gegevens vergelijking

The DPReview conclusion for the Nikon AF-S Nikkor 58mm f/1.4G characterizes it as a specialized, premium lens prioritizing unique rendering and smooth, attractive bokeh over technical perfection. It excels in real-world use with low chromatic aberration, minimal sagittal coma, and strong flare resistance, offering a lightweight, large-bodied design. Conversely, the lens shows significant limitations in lab tests, with soft, hazy output at f/1.4 due to residual spherical aberration, requiring stopping down to f/5.6 or f/8 for maximum sharpness. Due to this soft, wide-open performance and prominent field curvature, it offers little advantage over cheaper 50mm lenses in standard tests, focusing instead on a 3D, non-clinical look.

The Photography Life review identifies the Nikon 58mm f/1.4G as a specialized lens that prioritizes unique artistic rendering, exceptional subject isolation, and creamy bokeh over absolute clinical sharpness. Key strengths include superb coma control for astrophotography, high contrast due to Nano Crystal Coat, and a lightweight, durable build, making it highly prized for portraiture and wedding photography. Conversely, the lens is noted for its lack of biting sharpness in the center and mid-frame at f/1.4, which is accompanied by moderate field curvature. It also features average, older-generation autofocus speed, and its high price point makes it a better choice for artistic rendering rather than value-driven sharpness.

summary of the lens outlines distinct optical trade-offs and structural disappointments. On the pros side, the lens exhibits excellent center sharpness from f/2.8 onwards, strong control of lateral chromatic aberration, minimal distortion, low vignetting, and smooth, aesthetically pleasing background blur (bokeh). It also manages coma quite well, but strictly within the corners of smaller APS-C/DX sensors. On the cons side, the lens suffers from terribly weak sharpness wide open (especially at the frame edges), distinct full-frame corner coma, noticeable longitudinal chromatic aberration, and erratic autofocus behavior. Furthermore, the reviewer heavily criticizes the build quality, noting that the excessive use of plastics in the casing is completely inappropriate for a flagship standard prime. LensTip concludes that the lens provides a disastrous price-to-quality ratio.

The AF-S NIKKOR 58mm f/1.4G is celebrated as a "magic" lens that completely transformed the reviewer's street photography, serving as a modern spiritual successor to the manual-focus 58mm f/1.2 Noct-Nikkor. Paired with a full-frame Nikon D750, it provides a distinctive, non-clinical look that emulates classic Japanese color film aesthetics and character photography. The primary pros of the lens are its exceptional color rendering, "off-the-charts" contrast, and a unique optical formula where the bokeh remains lush and beautiful even when stopping down from f/1.4 to apertures like f/2.0 or f/2.8. Furthermore, its rendering lacks harsh edges, allowing slightly out-of-focus subjects to still look artistically appealing. Conversely, the lens has several distinct cons that initially made the reviewer consider returning it. When shot wide-open at f/1.4, it exhibits a noticeable "veiled fuzziness" and softness, accompanied by visible chromatic aberration. It is also prone to dull colors in certain initial tests and does not perform well when adapted to crop-sensor (DX) cameras like the Nikon D7500. Lastly, the autofocus speed is described as average rather than fast, though it remains accurate enough for...

The SLR Lounge review of the Nikkor 58mm f/1.4G lens by Jay Cassario highlights it as a highly specialized prime lens that prioritizes unique character, rendering, and artistic depth over standard technical benchmarks. The main pros of this lens center on its exceptional out-of-focus rendering, yielding what the reviewer calls the smoothest and creamiest bokeh he has ever seen. When focus is perfectly nailed wide open at f/1.4, it delivers an impressive three-dimensional look with remarkable subject separation. Additionally, the inclusion of Nikon's Nano Crystal Coat provides excellent color rendition, outstanding contrast, and low chromatic aberration compared to typical lenses in the 50mm range. It also features a lightweight body that balances nicely on full-frame cameras like the Nikon Df and D800E. Conversely, the lens comes with notable cons, starting with its steep $1,700 price tag, making it a heavy investment that is difficult to justify for many photographers. In terms of performance, it lacks standard corner-to-corner sharpness and is visibly softer when shot wide open, meaning it will not win any technical sharpness awards. The autofocus can be unforgiving...

The Nikon 58mm f/1.4 lens is a lightweight, full-frame lens praised for its exceptional, unique "character" and beautiful bokeh, operating as a spiritual, autofocusing successor to the classic manual-focus 58mm f/1.2 Noct-Nikkor. The reviewer notes that while it initially required a calibration adjustment on a Nikon D4 body, it excelled across thousands of real-world wedding and portrait shots. Key advantages of the lens include its featherweight design that reduces wrist strain, an outer glass element deeply recessed in the casing for scratch protection, a smooth and silent focus ring, and a highly effective nano coating that ensures high contrast and excellent performance in heavily backlit environments. However, the lens has several technical and financial drawbacks. It lacks ultimate center sharpness, features an awkward focal length for users accustomed to standard 50mm fields of view, and struggles significantly with autofocus speed and accuracy in fast-moving, dimly lit environments like wedding reception dance floors. The most prominent disadvantage is its high retail price of nearly $1,700, which the reviewer finds difficult to justify technically. Ultimately, the review concludes that while it is...

The Nikon 58mm f/1.4G is a unique lens that transcends its unimpressive paper specs, offering a distinct two-identity character that appeals greatly to portrait and lifestyle photographers. Shot wide open from f/1.4 to f/2, it produces a dreamy, flattering aesthetic with buttery smooth bokeh, gentle light reproduction, and a gradual, fluffy background fall-off ideal for environmental portraits. When stopped down past f/2, it shifts personalities to deliver modern, clinical clarity and crisp sharpness. While historically plagued by a "soft veil" and unpredictable autofocus issues on older DSLRs like the Nikon Df, its performance is completely revitalized on mirrorless bodies like the Nikon Z6 II, which ensures reliable, accurate focus wide open. Despite its artistic charm, the lens suffers from notable technical drawbacks. It is prone to severe chromatic aberrations, frequently casting a heavy magenta hue in challenging lighting conditions like sunsets, which cannot always be removed in post-processing. Furthermore, its older focus motor is sluggish compared to modern Z-mount lenses and can occasionally get confused and lose its target. Finally, when adapted to mirrorless systems via the FTZ adapter, the...

The Opticallimits (formerly PhotoZone) review of the Nikkor AF-S 58mm f/1.4 G (FX) highlights the lens as an impressive but expensive premium standard prime designed to compete against high-end glass like the Zeiss Otus. On the positive side (pros), the lens offers exceptional image quality, delivering very sharp center resolution at large apertures that becomes truly outstanding when stopped down to medium apertures. It also boasts remarkably low vignetting for an ultra-fast f/1.4 aperture lens, largely irrelevant lateral chromatic aberrations, and minimal distortion. Physically, the build quality is high with a rubber-sealed mount, and the Silent Wave Motor provides fast, near-noiseless autofocus while maintaining a constant physical length during focusing. However, the review notes several drawbacks (cons) that keep it from fully meeting its lofty expectations given the steep $1,700 price tag. While the bokeh is generally good, it does not exceptionally stand out, and the foreground blur can be noticeably nervous or less smooth than expected. Despite the premium price tag, the lens body is constructed from high-quality plastics rather than metal, it lacks full weather sealing, and it...

The diglloyd review highlights the Nikon AF-S Nikkor 58mm f/1.4G as an exceptional, specialty "normal" lens designed with a distinct focus on artistic rendering rather than clinical technical specs. Its standout pros include an astonishingly smooth, velvety bokeh and a striking three-dimensional image quality that consistently extends from the center of the frame to the extreme corners. The lens tightly controls lateral chromatic aberrations, avoids the distracting violet halos common in fast primes, and maintains high overall contrast and rich color saturation. Additionally, it features remarkably mild vignetting even when shot wide open at f/1.4, which significantly reduces digital noise when boosting exposures in low-light environments. Conversely, the primary cons of the lens center on its high price tag and deliberate trade-offs in sharpness. Priced at roughly $1697—about four times the cost of Nikon's standard 50mm f/1.4G—it represents a steep financial investment. Reviewer Lloyd Chambers notes that it cannot be classified as a "highly corrected" lens in the traditional sense because it is intentionally not razor-sharp or maximized for peak MTF contrast when shooting wide open. It exhibits field curvature...

The DPReview evaluation of the Nikon AF-S NIKKOR 58mm f/1.4G characterizes it as a premium lens prioritizing unique "dreamy" rendering and exceptional bokeh over clinical sharpness, particularly excelling in low-light and creative portraiture. Pros include low chromatic aberration, high flare resistance, minimal coma, and a fast, quiet Silent Wave Motor. Conversely, the lens is notably soft and hazy at f/1.4 due to residual spherical aberration, requiring stopping down to f/2.8 for maximum sharpness, and it suffers from pronounced field curvature. Additionally, the high price point offers poor value for general-purpose shooters, with the 50mm f/1.4G cited as a more practical alternative.