Canon EF 70 200mm F 4L IS II USM Recensie | 54 Gegevens vergelijking

The Canon EF 70-200mm f/4L IS II USM lens is positioned as a significant, professional-grade upgrade featuring exceptional sharpness, contrast, and a 5-stop image stabilization system with multiple modes. Key advantages include its lightweight, durable construction with advanced weather sealing, fast USM autofocus, and a closer 1-meter minimum focusing distance. Cons include the fixed f/4 aperture, which is less ideal for low-light action compared to f/2.8 alternatives, along with minor corner vignetting, geometric distortion, and a tripod collar that is not included. Despite these, the lens is lauded for its compact portability and high performance for travel and outdoor photography.

According to Ken Rockwell, the Canon EF 70-200mm f/4L IS II is an exceptionally sharp, lightweight telephoto zoom, delivering top-tier optical performance with fast autofocus and superb image stabilization. It is highly recommended for handheld, all-day shooting due to its superior ergonomics and compact, professional design. However, the lens lacks an included tripod collar and features an audible image stabilization system that may be disruptive in quiet environments. Despite these minor drawbacks, the lens offers excellent value and optical quality compared to heavier f/2.8 alternatives.

The Canon EF 70-200mm f/4L IS II USM is a significantly improved, premium telephoto zoom lens that delivers exceptional build quality, updated physical controls, and superb overall performance. Optically, the lens features a tweaked formula with a larger 72mm front filter size that helps minimize vignetting, resulting in incredible contrast, vivid color rendition, and low chromatic aberrations. Its corner-to-corner resolution is highly impressive, showcasing a decided advantage at the crucial 200mm telephoto end where it remains remarkably sharp even when paired with a 1.4x extender. Additionally, the autofocus system has been heavily modernized to cater to the hybrid needs of DSLR and mirrorless shooters, operating smoothly, accurately, and quietly during Dual Pixel CMOS AF (DPAF) and Video Servo AF modes. The core advantages (pros) of this lens include its robust weather-sealed construction with protective fluorine coatings, excellent ergonomics, and an upgraded image stabilization (IS) system now offering 5 stops of correction across three distinct selectable modes. It also features a reduced minimum focus distance of 1 meter, which significantly upgrades its maximum reproduction ratio to 1:3.7. Conversely, the disadvantages (cons)...

The Canon EF 70-200mm f/4L IS II USM is a major, highly capable upgrade over its predecessor, delivering an excellent balance of mobility and professional performance. Weighing just 780 grams and measuring 80 x 176mm, it stands as a significantly lighter and more manageable alternative to bulkier f/2.8 telephoto lenses, making it ideal for prolonged handheld photography. The lens features a completely redesigned optical path with a top-tier fluorite glass element and two Ultra-low Dispersion (UD) elements that produce exceptional contrast and sharpness even when shooting wide-open at f/4. Additionally, it introduces a highly efficient 5-stop image stabilizer with three distinct switchable modes, including a new third mode that applies stabilization exclusively during exposure to seamlessly track erratically moving subjects like birds in flight. Its internal zoom and focus mechanisms ensure a fixed physical length, while robust weather-sealing and grease-repelling fluorine coatings safeguard the lens in harsh outdoor environments. The primary advantages of this lens lie in its stellar edge-to-edge sharpness, highly effective 5-stop image stabilization system, and a remarkably fast, accurate ring-type ultrasonic autofocus system. It also boasts excellent...

The LensTip review of the Canon EF 70-200 mm f/4L IS II USM characterizes it as an excellent telephoto lens that offers substantial, premium updates over its 2006 predecessor. Released at an initial price point of $1,200, this iteration incorporates advanced antireflection and hydrophobic coatings, an updated 9-blade aperture system, and a highly efficient 5-stop image stabilization unit. The review highlights that the optical performance remains incredibly strong across a full-frame sensor, providing professional-grade image output that effectively justifies its spot in Canon's high-end "Luxury" line. Optically and mechanically, LensTip identifies a long list of specific pros alongside a few minor cons. The pros include an exceptionally solid, weather-sealed barrel, excellent image resolution in the frame center, and very sharp quality extending to the edges of both APS-C and full-frame sensors. Furthermore, it boasts outstanding control over longitudinal and lateral chromatic aberrations, zero issues with coma, virtually nonexistent astigmatism, pleasing out-of-focus bokeh, and seamless performance alongside the 1.4x III teleconverter. Its ultrasonic autofocus is exceptionally quiet and precise, backed by a highly effective image stabilization system. Conversely, the cons are...

Nicklaus Walter’s review of the Canon EF 70-200mm f/4L IS II USM lens praises it as a versatile, professional-grade "swiss army knife" tool ideally suited for landscape, travel, and studio photography. Released in 2018 and discontinued in 2021, this weather-sealed lens delivers sharp, dead-accurate, and quiet autofocus performance. The reviewer highlights major pros, including its incredibly lightweight, ergonomic build and an internal zoom configuration that prevents the barrel from telescoping—offering a distinct advantage over newer RF telescoping models for keeping out dust and balancing on gimbals. Additional benefits noted by reviewers at The-Digital-Picture.com and camera expert Ken Rockwell include an upgraded 5-stop image stabilization system with three distinct modes, pleasing wide-open bokeh, a common 72mm filter thread, and a closer minimum focus distance than its predecessor. Despite its stellar performance, the review details specific drawbacks tied to the lens's physical design and maximum f/4 aperture. The principal cons include limited low-light capabilities for tracking moving subjects and an inability to melt away backgrounds, meaning it provides good but unimpressive subject isolation compared to faster f/2.8 alternatives. Additionally, the review notes...

The Focus Review evaluation of the Canon EF 70-200mm f/4L IS II USM highlights it as a highly capable and professionally built telephoto zoom lens that improves upon its already sharp predecessor. Tested on a high-resolution 50-megapixel EOS 5DsR, the lens demonstrates outstanding corner-to-corner sharpness across virtually all focal lengths and apertures, making it perfectly optimized for modern, high-res sensors. Key design enhancements include a shortened minimum focusing distance of 1.0 meter (down from 1.2 meters), a boosted maximum magnification of 0.27x, and an incredibly quiet 5-stop image stabilization system featuring a brand new panning mode (Mode 3). The review explicitly outlines several pros and cons for this L-series lens. On the positive side, it offers fantastic overall image quality, a solid and highly weather-resistant build, compatibility with 1.4x and 2x teleconverters, and highly effective, silent optical stabilization. On the negative side, its maximum f/4 aperture means its bokeh is naturally not as soft or pronounced as an f/2.8 alternative. Additionally, it suffers from a somewhat high 1.5% pincushion distortion at longer focal lengths—making it less ideal for uncorrected architectural...

The Canon EF 70-200mm f/4L IS II USM lens is evaluated as a highly reliable, compact, and well-crafted telephoto zoom, standing out for its 780g lightweight form factor. Key advantages highlighted include outstanding central sharpness, minimal chromatic aberration and geometric distortion, plus an upgraded 5-stop image stabilization system. While sacrificing the brighter f/2.8 aperture means slightly reduced low-light capability and a maximum aperture of f/4, this design allows for a smaller, more portable lens. Furthermore, the review notes that a tripod collar is not included in the box, requiring an additional purchase.

The Canon EF 70-200mm f/4L IS II USM is a thoroughly redesigned telephoto zoom lens that delivers exceptional sharpness, contrast, and control over color fringing throughout its entire zoom range. Weighing just 780 grams, it stands out as a highly portable and lightweight option that is roughly half the weight of its f/2.8 sibling, making it easy to handle without sacrificing durable, weather-sealed construction. Key upgrades include a reduced minimum focus distance of 1.0 meter, a larger 72mm filter thread, and a upgraded autofocus system driven by a new central processor unit for enhanced speed and accuracy. Additionally, its overhauled image stabilization system now offers an impressive 5 stops of compensation alongside a new third mode that applies stabilization exclusively during exposures to make tracking erratic, moving subjects easier. The primary pros of this lens are its "fabulously sharp" optical performance—even when shooting wide-open at f/4—and its remarkably lightweight footprint for a 70-200mm lens. On the downside, the chief con is that its autofocus speed, stabilization performance, and outright image quality do not outperform Tamron’s similarly priced 70-200mm f/2.8 G2...

The Canon EF 70-200mm f/4L IS II USM is a professional-grade telephoto zoom lens that delivers exceptional performance, particularly when paired with APS-C bodies like the Canon 80D. Weighing 780 grams, this compact and solidly built lens features an upgraded optical design, a improved minimum focus distance of 1.0 meter, and a fluorine coating to resist dirt and moisture. Its standout features include a highly improved, whisper-quiet image stabilization system offering up to 5 stops of compensation across three distinct modes, and excellent weather sealing. Testing reveals near-flawless image quality with corner-to-corner sharpness at virtually all apertures, minimal chromatic aberration, and negligible vignetting or distortion when utilizing the center of the lens on an APS-C crop sensor. Despite its stellar performance, the lens has a few minor drawbacks. Due to its maximum aperture of f/4, the background blur and bokeh are naturally less pronounced and soft compared to faster, heavier f/2.8 alternatives. Additionally, the review notes that the lens can struggle with strong backlighting, occasionally experiencing flare and a loss of contrast at full aperture and the longest zoom setting....